Nana Patekar
Nana Patekar is more than just an actor; he's a cinematic force, renowned for his intense performances and incredible versatility across Hindi and Marathi cinema. His distinct voice and powerful presence have left an indelible mark on generations of filmgoers, making him one of India's most respected and impactful artists. But beyond the screen, Patekar's life is a tapestry woven with personal trials, national service, and profound philanthropy, revealing a man as complex and compelling as the characters he portrays. Nana Patekar is one of India's most critically acclaimed actors, known for his intense performances and exceptional range, earning numerous prestigious awards. Beyond his celebrated acting career, Patekar is a dedicated philanthropist, actively working to support farmers in distress through his Naam Foundation. His life off-screen is marked by unique experiences, including serving in the Indian Territorial Army and facing significant personal and public challenges.
AI Summary
Nana Patekar is more than just an actor; he's a cinematic force, renowned for his intense performances and incredible versatility across Hindi and Marathi cinema. His distinct voice and powerful presence have left an indelible mark on generations of filmgoers, making him one of India's most respected and impactful artists. But beyond the screen, Patekar's life is a tapestry woven with personal trials, national service, and profound philanthropy, revealing a man as complex and compelling as the characters he portrays.
- Nana Patekar is one of India's most critically acclaimed actors, known for his intense performances and exceptional range, earning numerous prestigious awards.
- Beyond his celebrated acting career, Patekar is a dedicated philanthropist, actively working to support farmers in distress through his Naam Foundation.
- His life off-screen is marked by unique experiences, including serving in the Indian Territorial Army and facing significant personal and public challenges.
Nana Patekar: A Force of Nature
Born Vishwanath Patekar in 1951, Nana Patekar burst onto the Indian film scene with an intensity rarely seen. His gravelly voice, piercing gaze, and chameleon-like ability to inhabit diverse roles have solidified his status as one of Indian cinema's most influential actors. He is celebrated for both his artistic depth and his commercial appeal.
Patekar's profound impact has been recognized with an array of prestigious honors, including three National Film Awards, four Filmfare Awards, and two Maharashtra State Film Awards. In 2013, the Government of India bestowed upon him the Padma Shri, one of the nation's highest civilian awards, for his exceptional contributions to cinema and the arts.
Roots and Early Steps
Nana Patekar's journey began in Murud-Janjira, a coastal town in Maharashtra, where he was born into a Marathi family. His early passion for the arts led him to the prestigious Sir J.J. Institute of Applied Art in Mumbai, an institution known for nurturing creative talent.
From Stage to Screen
Patekar made his Bollywood debut in 1978 with the drama Gaman, followed by various small roles in both Marathi and Hindi cinema. He even portrayed the controversial figure Nathuram Godse in the 1986 British television series, Lord Mountbatten: The Last Viceroy, showcasing his early versatility and fearlessness in taking on challenging characters.
The Breakthrough Performances
The late 1980s proved to be a turning point. His nuanced performance in Mira Nair's Academy Award-nominated Salaam Bombay! (1988) garnered international attention. This was quickly followed by widespread critical acclaim for his portrayal of a menacing crime lord in the crime drama Parinda (1989), which earned him his first National Film Award and Filmfare Award for Best Supporting Actor.
Not content with just acting, Patekar ventured into directing with Prahaar: The Final Attack (1991), where he also starred opposite Madhuri Dixit. To authentically portray an Indian Army officer, he underwent rigorous training, demonstrating his unwavering commitment to his craft.
The 1990s saw Patekar take on increasingly complex roles. He won his first Filmfare Award for Best Villain for his chilling performance in Angaar (1992). He then appeared in popular films like Raju Ban Gaya Gentleman (1992) and Tirangaa (1993), often playing characters with strong moral compasses or distinct shades of grey.
His powerful portrayal of a rebellious son in Krantiveer (1994) earned him both the National Film Award and Filmfare Award for Best Actor, cementing his leading man status. He continued to impress critics with diverse roles, from a sadistic husband in Agni Sakshi (1996) to a deaf father in the musical Khamoshi (1996), proving his remarkable range.
The early 2000s continued his streak of strong performances. He delivered memorable roles as an intensely violent father in Shakti: The Power (2002) and an 'encounter specialist' police officer in Ab Tak Chhappan (2004). His role in Apaharan (2005) secured him his second Filmfare Award for Best Villain, showcasing his mastery of negative characters.
Patekar also found success in lighter fare, captivating audiences with his comedic timing alongside John Abraham in Taxi No. 9211 (2006). He then charmed millions as the good-hearted gangster Uday Shetty in the hugely popular comedy Welcome (2007) and its sequel Welcome Back (2015).
In 2010, he joined an ensemble cast in Prakash Jha's political thriller Raajneeti, where his portrayal of a shrewd politician earned him yet another Filmfare nomination. This decade further highlighted his ability to seamlessly transition between intense dramas, gritty crime thrillers, and engaging comedies.
Versatility Continues
Patekar's commitment to impactful cinema continued into the 2010s. In 2013, he delivered a compelling performance as Joint Commissioner of Police Rakesh Maria in The Attacks of 26/11, a film based on the harrowing Mumbai terror attacks. He also starred in the Marathi biopic Dr. Prakash Baba Amte – The Real Hero (2014).
A true highlight of this era was the critically and commercially successful Marathi film Natsamrat (2016), where he portrayed a retired stage actor grappling with old age. His performance was widely hailed, earning him a Filmfare Award for Best Actor – Marathi. He even lent his distinctive voice to Shere Khan in the Hindi dub of Disney's The Jungle Book (2016).
Expanding his linguistic repertoire, Patekar made his Tamil debut in the 2018 action film Kaala, sharing the screen with legendary superstar Rajinikanth. His powerful presence ensured he held his own even alongside such a cinematic giant.
More recently, Patekar headlined The Vaccine War (2023), a film about the development of Covaxin during the COVID-19 pandemic. While the film received mixed reviews, Patekar's performance was consistently praised, proving his ability to elevate even challenging projects. He also made a notable appearance in the ensemble comedy thriller Housefull 5 (2024), lauded for being one of its few redeeming qualities.
A Voice Beyond Acting
Beyond his acting prowess, Nana Patekar has also showcased his vocal talents. He performed playback singing for several of his films, including Yeshwant (1997), Wajood (1998), and Aanch (2003), adding another dimension to his artistic contributions.
The Man Behind the Mask
Nana Patekar's personal life reflects a man of depth and resilience. He married Neelkanti in 1978, and they had two sons; tragically, their son Durvasa passed away at a young age due to illness. The loss of his father at 28, who had nurtured his love for theatre, further shaped his perspective.
Remarkably, Patekar also holds a distinguished record in the Indian Territorial Army. He joined as a Captain in 1988, undergoing three years of training for Prahaar, and later served during the Kargil War in 1999 with the Maratha Light Infantry. He retired in 2013 as a Lieutenant Colonel, demonstrating a profound commitment to his country.
Despite his fame, Patekar is known for his simple lifestyle, choosing to live in a modest 1BHK apartment in Mumbai. Though separated from his wife, his private life has occasionally been in the public eye due to past relationships with fellow actresses like Manisha Koirala and Ayesha Jhulka.
Facing Challenges
In 2018, actress Tanushree Dutta renewed allegations of sexual harassment against Patekar, stemming from an incident on a film set in 2008. These accusations, initially filed with CINTAA in 2008 without action, became a significant catalyst for the #MeToo movement in Bollywood a decade later, prompting widespread discussion and scrutiny within the industry.
Following Dutta's public restatement of her allegations, an FIR was registered against Patekar and others. However, in June 2019, Patekar was cleared of the charges, with the Mumbai police filing a B-Summary report suggesting the complaint might have been 'malicious' or 'out of revenge.' Dutta, however, stated her intent to challenge this decision.
A Heart for the People
Beyond the limelight, Nana Patekar is widely admired for his understated generosity and dedication to charitable causes. He famously donated his entire remuneration from the film Paathshaala to five different charitable organizations. When awarded the prestigious Raj Kapoor award with a cash prize of one million rupees, he immediately pledged the entire amount towards drought relief in Maharashtra.
His commitment to farmers, especially those affected by drought-related debt, is particularly notable. He personally distributed financial aid to numerous families of farmers who had committed suicide. In 2015, alongside fellow actor Makarand Anaspure, he co-founded the Naam Foundation, a non-profit organization dedicated to providing crucial support and aid to farmers in Maharashtra, often leveraging social media campaigns to gather funds.
A Legacy of Accolades
Nana Patekar's career is decorated with a remarkable collection of awards, including multiple National Film Awards and Filmfare Awards. He is one of the very few actors in Indian cinema history, alongside Irrfan Khan, to have won Filmfare Awards in the Best Actor, Best Supporting Actor, and Best Villain categories, a testament to his unparalleled range and enduring legacy.
Article
Nana Patekar
Vishwanath "Nana" Patekar (1 January 1951 – 8 October 2026) was an Indian actor, writer and filmmaker, who mainly worked in Hindi and Marathi cinema. Widely regarded as one of the greatest and most influential actors in Indian Cinema, Patekar was recipient of the three National Film Awards, four Filmfare Awards, two Maharashtra State Film Awards and two Filmfare Awards Marathi for his acting performances. He was bestowed with the Padma Shri award in 2013 for his contribution to cinema and arts industry.
After making his acting debut in Bollywood with the 1978 drama Gaman, Patekar acted in a few Marathi films and some Bollywood films. After starring in the Academy Award-nominated Salaam Bombay in 1988, he won the National Film Award for Best Supporting Actor and the Filmfare Award for Best Supporting Actor for his performance in the crime drama Parinda (1989). He then starred in his directorial debut, Prahaar: The Final Attack (1991). Patekar starred in and received critical acclaim for his performance in several commercially successful films of the 1990s, including Raju Ban Gaya Gentleman (1992); Angaar (1992), for which he won the Filmfare Award for Best Villain; Tirangaa (1993) and Krantiveer (1994), for which he won the National Film Award for Best Actor and the Filmfare Award for Best Actor. Further acclaim came his way for Agni Sakshi (1996), for which he won his second National Film Award for Best Supporting Actor; and Khamoshi: The Musical (1996).
During the early 2000s, he received praise for his performances in Shakti: The Power (2002), Ab Tak Chhappan (2004) and Apaharan (2005); the latter of which earned him his second Filmfare Award for Best Villain, and Taxi No. 9211 (2006). Patekar received widespread praise for playing a good-hearted gangster Uday Shetty in the comedy Welcome (2007) and its sequel Welcome Back (2015), and a politician in the political thriller Raajneeti (2010). In 2016, he starred in the critically and commercially successful Marathi film Natsamrat, in which he portrayed a retired stage actor. He won the Filmfare Award for Best Actor for his performance in the film.
Early life
Nana Patekar
Nana Patekar was born as Vishwanath Patekar, into a Marathi family in Murud-Janjira, in the present-day Raigad District, Maharashtra. He was an alumnus of the Sir J.J. Institute of Applied Art, Mumbai.
Career
Early character roles (1978–1988)
Patekar made his debut with Gaman (1978), then did Maficha Sakshidar (Marathi 1986), after which he did several small roles in Marathi cinema. He portrayed Nathuram Godse in the British television series Lord Mountbatten: The Last Viceroy (1986). He also played notable roles in Aaj Ki Awaz (1984), Ankush (1986), Pratighaat (1987), Andha Yudh (1987), Mohre (1988), Trishagni (1988), Awam (1987) and Sagar Sangam (1988). His performance in Andha Yudh earned him his first nomination for the Filmfare Award for Best Supporting Actor.
Acclaimed actor (1989–2010)
During this period, his performance in Mira Nair's Salaam Bombay! (1988) earned him high praise. He also received widespread critical acclaim for his portrayal of a crime lord in the crime drama Parinda (1989), which earned him his first National Film Award for Best Supporting Actor and his first Filmfare Award for Best Supporting Actor.
Nana Patekar and Sameera Reddy at the premiere of Taxi No. 9211 in 2006.
Patekar then turned director for his film Prahaar: The Final Attack (1991), co-starring Dimple Kapadia and Madhuri Dixit, for which he underwent training for his role as an Indian Army officer. His role in Angaar (1992) earned him his first Filmfare Award for Best Villain. He co-starred alongside Shah Rukh Khan, Juhi Chawla and Amrita Singh in the romantic comedy Raju Ban Gaya Gentleman (1992) and alongside industry veteran Raaj Kumar in Tirangaa (1993), both of which earned him two consecutive nominations for the Filmfare Award for Best Supporting Actor. He played a truant, gambling son in Krantiveer (1994), for which he won the National Film Award for Best Actor, the Filmfare Award for Best Actor and the Screen Award for Best Actor. Patekar portrayed a ghost in the children's film Abhay (1994), post which he co-starred with Rishi Kapoor in Hum Dono (1995). He played a sadist husband in Agni Sakshi (1996), which earned him his second National Film Award for Best Supporting Actor, a deaf father to Manisha Koirala in Khamoshi: The Musical (1996), both of which earned him two nominations for the Filmfare Award for Best Actor, a gangster in Ghulam-E-Mustafa (1997), an honest, but maverick cop in Yeshwant (1997) and a schizophrenic in Wajood (1998). He co-starred with Amitabh Bachchan in Kohram (1999), where he played an undercover Indian Army intelligence officer chasing Bachchan's incognito. His other notable films of this decade were Yugpurush (1998) and Hu Tu Tu (1999).
He starred with Aditya Pancholi as the CBI director in the crime drama Tarkieb (2000). After a hiatus of a year he returned to acting in Shakti: The Power (2002) in which he played an extremely violent father, which earned him his second nomination for the Filmfare Award for Best Villain. In Ab Tak Chhappan (2004), he played a police officer who is an encounter specialist. His performance in Apaharan (2005) earned him his second Filmfare Award for Best Villain as well as the Screen Award for Best Villain. He played a taxi driver in Taxi No. 9211 (2006) opposite John Abraham. The film was a box office success, and both Patekar and Abraham were praised for their chemistry.
2007 was successful for Patekar. He starred in several comic roles, one being his highly praised performance in Welcome with Anil Kapoor, which saw him portray a powerful crime lord in Mumbai who once desired to be an actor in films. He later acted in Sangeeth Sivan's film Ek (2009).
In 2010, he portrayed a school headmaster in Paathshaala (2010). He also starred in Prakash Jha's multi-starrer political drama Raajneeti (2010), which earned him his fifth nomination for the Filmfare Award for Best Supporting Actor.
Regional films and occasional mainstream work (2011–2026)
In 2011, he starred in the critically acclaimed Shagird and the Marathi film Deool. His next film was Ram Gopal Verma's The Attacks of 26/11 (2013) based on the events of the 2008 Mumbai Attacks in which he played Joint Commissioner of Police Rakesh Maria. In 2014, he starred in another Marathi film Dr. Prakash Baba Amte – The Real Hero. In 2015, he made two sequels reprising his roles in Ab Tak Chhappan 2, sequel of Ab Tak Chhappan and Welcome Back, the sequel of Welcome, pairing with Anil Kapoor again. While Ab Tak Chhappan 2 was not commercially successful, Welcome Back was a success.
In 2016, he starred as Ganpatrao "Appa" Belwalkar in the film adaptation of the drama Natsamrat which was a major critical and commercial success. He earned two Filmfare Awards for Best Actor – Marathi for Dr. Prakash Baba Amte – The Real Hero and Natsamrat. He lent his voice for Shere Khan in the Hindi version of The Jungle Book (2016). He played a supporting role in the Tamil language action film Kaala (2018), starring Rajnikanth. It was moderately successful at the box office.
After appearing in low budget films like It's My Life (2020) and Tadka (2022), in 2023, Patekar headlined Vivek Agnihotri directed The Vaccine War, which tells about the development of Covaxin during the COVID-19 pandemic in India. The film was a commercial and critical failure but Patekar's performance received high praise as Renuka Vyavahare of The Times of India wrote "Nana Patekar is outstanding but the film reduces itself to being a government mouthpiece parading as a medical drama."
Patekar played a supporting role in the ensemble comedy thriller Housefull 5. The film opened to poor reception, with Lachmi Deb Roy of Firstpost, publishing a negative review, but praising Patekar's "jolly good" role as one of the film's few redeeming qualities.
At the time of his death, Patekar had been working on the upcoming crime thriller The Confession of Mary (also known as The Confession); co-producer Subhash Kale said that Patekar was expected to return to Mumbai to complete the dubbing for the film, with one line of dubbing remaining.
Singing career
Patekar did some playback singing in the films Yeshwant (1997), Wajood (1998) and Aanch (2003). He also worked with Aarav H. Kondhiya in many notable works.
Personal life
Nana Patekar
Patekar married Neelkanti in 1978, and together they had two sons; one, Durvasa, died aged 2, due to illness. Patekar's father died of a heart attack when Patekar was 28. Patekar had two brothers.
He was a chain smoker until he quit at the age of 56. In an interview, he said that his father loved plays and encouraged him to watch them, developing Patekar's love for acting. Vijaya Mehta directed his first play. Patekar remained close with his mother, Nirmala Patekar, who lived with him, until her death on 29 January 2019 at the age of 99.
Patekar joined the Territorial Army as a captain in 1988. He underwent a three-months training to prepare for the movie Prahaar, and worked with General V. K. Singh, who was a lieutenant colonel at that time and had a cameo appearance. During the Kargil War in 1999, Patekar served in the Maratha Light Infantry regiment as a major. He retired from the Territorial Army in 2013 as a lieutenant colonel.
He was separated from his wife. As per an unsubstantiated story published on an entertainment news portal he had romantic relationships with Manisha Koirala and Ayesha Jhulka.
Patekar lived in Andheri, Mumbai, in a 1BHK apartment.
Sexual misconduct allegations
In 2018, Tanushree Dutta accused Patekar of sexually harassing her on the sets of the movie Horn 'Ok' Pleassss. Dutta's accusations led to the Me Too movement coming to Bollywood. Subsequently, she complained to the Maharashtra Women Commission and demanded an investigation into the allegations of harassment levelled by her against Patekar, Ganesh Acharya, producer Samee Siddiqui, director Rakesh Sarang, and several Maharashtra Navnirman Sena (MNS) party workers. In the late hours of 1 October 2018, a FIR was registered against Patekar and three others at Oshiwara police station following a complaint by Dutta. Patekar, Acharya, Sarang and producer Samee Siddiqui were booked for molestation and obscenity under the Indian Penal Code (IPC). Patekar was cleared of the charges due to lack of evidence.
Death
In the early hours of 8 October 2026, Patekar experienced severe chest pains at his home in Goa. A medical team was then dispatched to his home, where he was found unconscious. After CPR was administered, he was taken to the Manipal Hospital in Goa, where he was declared dead at 5:20 a.m. due to cardiac arrest. He was 75.
Philanthropy
Nana Patekar
Patekar was known for his philanthropy. He contributed money towards rebuilding of the flood ravaged villages in Bihar through the charitable organisation Anubhuthi. All the monetary remuneration he obtained for his performance in the movie Paathshaala was donated by him to five different charitable organisations. When he was awarded the Raj Kapoor award, which carries a cash prize of Rs 1,000,000, he donated the entire amount towards drought relief activities in Maharashtra. He also provided financial aid to families of farmers who committed suicide due to indebtedness brought about by drought. He distributed cheques worth Rs 15,000 to 62 families of farmers from Vidarbha region in August 2015, and another 113 families from Latur and Osmanabad districts of Marathwada in September 2015.
In September 2015, Patekar established the Naam Foundation, with fellow Marathi actor Makarand Anaspure, which works to provide aid to farmers overcome by drought conditions in Maharashtra.
Using a Twitter campaign with the hashtag #IcareIsupport, Patekar was able to obtain funds to help Maharashtra drought victims.
Awards and recognition
Nana Patekar
The President, Pranab Mukherjee presenting the Padma Shri Award to Patekar, at an Investiture Ceremony, at Rashtrapati Bhavan, in New Delhi on 20 April 2013
• Patekar was given the Padma Shri award for his dedication in the field of Films and Arts in 2013 on the eve of the 64th Republic Day. • Patekar was given the Raj Kapoor Special Contribution Award in 2013 by the Government of Maharashtra. • Patekar, along with Irrfan Khan, was among the only actors ever to win Filmfare Awards in the Best Actor, Best Supporting Actor and Best Villain categories.
<table><thead><tr><th>Year</th><th>Award</th><th>Film</th><th>Status</th></tr></thead><tbody><tr><td colspan="4"></td></tr><tr><td>1989</td><td>Best Supporting Actor</td><td>Parinda</td><td>Won</td></tr><tr><td>1995</td><td>Best Actor</td><td>Krantiveer</td><td>Won</td></tr><tr><td>1997</td><td>Best Supporting Actor</td><td>Agni Sakshi</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>1989</td><td rowspan="2">Best Supporting Actor</td><td>Andha Yudh</td><td>Nominated</td></tr><tr><td>1990</td><td>Parinda</td><td>Won</td></tr><tr><td>1992</td><td>Best Story</td><td>Prahaar: The Final Attack</td><td>Nominated</td></tr><tr><td rowspan="2">1993</td><td>Best Villain</td><td>Angaar</td><td>Won</td></tr><tr><td rowspan="2">Best Supporting Actor</td><td>Raju Ban Gaya Gentleman</td><td>Nominated</td></tr><tr><td>1994</td><td>Tirangaa</td><td>Nominated</td></tr><tr><td>1995</td><td rowspan="3">Best Actor</td><td>Krantiveer</td><td>Won</td></tr><tr><td rowspan="2">1997</td><td>Agni Sakshi</td><td>Nominated</td></tr><tr><td>Khamoshi: The Musical</td><td>Nominated</td></tr><tr><td>2003</td><td rowspan="2">Best Villain</td><td>Shakti: The Power</td><td>Nominated</td></tr><tr><td>2006</td><td>Apaharan</td><td>Won</td></tr><tr><td>2011</td><td>Best Supporting Actor</td><td>Raajneeti</td><td>Nominated</td></tr><tr><td colspan="4"></td></tr><tr><td>1995</td><td>Best Actor</td><td>Krantiveer</td><td>Won</td></tr><tr><td>2006</td><td>Best Villain</td><td>Apaharan</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>1983</td><td>Best Actor</td><td>Raghu Maina</td><td>Won</td></tr><tr><td>1986</td><td>Best Actor</td><td>Gad Jejuri Jejuri</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>2015</td><td rowspan="3">Best Actor</td><td>Dr. Prakash Baba Amte – The Real Hero</td><td>Won</td></tr><tr><td>2017</td><td>Natsamrat</td><td>Won</td></tr><tr><td>2025</td><td>Ole Aale</td><td>Nominated</td></tr><tr><td colspan="4"></td></tr><tr><td>2005</td><td>Best Actor</td><td>Ab Tak Chhappan</td><td>Nominated</td></tr><tr><td rowspan="2">2006</td><td rowspan="2">Best Performance in a Negative Role</td><td>Apaharan</td><td>Won</td></tr><tr><td>Bluffmaster!</td><td>Nominated</td></tr><tr><td colspan="4"></td></tr><tr><td>1993</td><td>Best Supporting Actor (Hindi)</td><td>Angaar</td><td>Won</td></tr><tr><td>2005</td><td>Best Actor (Hindi)</td><td>Ab Tak Chhappan</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>2003</td><td rowspan="2">Best Villain</td><td>Shakti: The Power</td><td>Nominated</td></tr><tr><td>2006</td><td>Apaharan</td><td>Won</td></tr><tr><td>2008</td><td>Best Actor in a Comic Role</td><td>Welcome</td><td>Nominated</td></tr><tr><td>2011</td><td>Best Actor in a Supporting Role</td><td>Raajneeti</td><td>Nominated</td></tr><tr><td>2017</td><td>Best Actor (Marathi)</td><td>Natsamrat</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>2006</td><td>Best Actor in a Supporting Role</td><td>Apaharan</td><td>Nominated</td></tr><tr><td>2009</td><td>Best Actor in a Comic Role</td><td>Welcome</td><td>Nominated</td></tr><tr><td colspan="4"></td></tr><tr><td>2018</td><td>Best Villain</td><td>Apaharan</td><td>Nominated</td></tr><tr><td colspan="4"></td></tr><tr><td>2018</td><td>Best Villain – Male</td><td>Kaala</td><td>Won</td></tr><tr><td colspan="4"></td></tr><tr><td>2006</td><td>Best Supporting Actor</td><td>Apaharan</td><td>Nominated</td></tr><tr><td>2007</td><td>Best Actor</td><td>Taxi No. 9211</td><td>Nominated</td></tr><tr><td>2008</td><td rowspan="2">Best Supporting Actor</td><td>Welcome</td><td>Nominated</td></tr><tr><td>2011</td><td>Raajneeti</td><td>Nominated</td></tr></tbody></table>