All of Us Strangers

Delving into the profound depths of grief, loneliness, and the yearning for connection, "All of Us Strangers" is a critically acclaimed British romantic fantasy film. It weaves a poignant tale of a man confronting his past and present, blurring the lines between reality and memory. Prepare to embark on an emotional journey that challenges our understanding of love, loss, and the ties that bind us. The film masterfully blends elements of romantic drama with fantastical encounters, exploring how memory and imagination can manifest in tangible ways. It offers a deeply personal look at the complexities of grief, particularly for a gay man navigating societal norms while processing the loss of his parents. Ultimately, the story suggests that profound connection, even in its most unconventional forms, can offer solace and a path towards healing and acceptance.

Source: Wikipedia

AI Summary

Delving into the profound depths of grief, loneliness, and the yearning for connection, "All of Us Strangers" is a critically acclaimed British romantic fantasy film. It weaves a poignant tale of a man confronting his past and present, blurring the lines between reality and memory. Prepare to embark on an emotional journey that challenges our understanding of love, loss, and the ties that bind us.

A Lonely Screenwriter's World

Our story begins with Adam, a television screenwriter living a quiet, almost secluded life in a modern London tower block. His days are often spent in solitude, until one evening, a mysterious neighbor named Harry appears at his door. Harry is a bit tipsy and clearly interested in a deeper connection, but Adam, perhaps out of habit or hesitation, politely declines his overtures.

Adam soon finds himself drawn to an unusual project—revisiting his childhood home, now empty and silent in the suburbs. Here, something extraordinary happens: he encounters his parents. They appear exactly as they did decades ago, just before they died in a car accident when Adam was barely twelve years old. It's a surreal reunion, full of longing and disbelief.

A Blooming Romance

Back at his flat, Adam's path crosses with Harry again. This time, Adam is ready to reciprocate Harry's earlier interest, and a passionate relationship quickly blossoms between them. As they grow closer, Adam learns of Harry's own struggles with his family, fostering a deep empathy and connection that begins to fill the void in Adam's life.

Confronting the Past

Adam continues his visits to his ethereal parents, using these encounters to unpack unresolved feelings. He bravely comes out to his mother, navigating her initial discomfort and eventual acceptance. Later, he confronts his father about the pain caused by his silence during Adam's childhood bullying. In a tearful, tender moment, father and son finally reconcile, mending wounds left unaddressed for decades.

As Adam and Harry's relationship flourishes, they embrace London's vibrant club scene, often experimenting with substances like ketamine. One night, Adam experiences a blackout, only to awaken back at his childhood home during a magical, ghostly Christmas celebration with his parents. The lines between his past and present, reality and fantasy, begin to blur even further.

The blissful moment is shattered. Adam jolts awake, disoriented, on an Underground train. He sees Harry in the next car, distant and unreachable, while a vision of his younger self screams in the reflection. In reality, he's back in his bed, waking from a panic attack at a club, with Harry having brought him home. Adam finally opens up to Harry about the harrowing details of his parents' death, particularly the traumatic detail of his mother lingering for days in the hospital, a sight his grandmother spared him from seeing.

Driven by his experiences, Adam tries to bridge his two worlds, taking a skeptical Harry to meet his parents. But the childhood home is empty. Harry, concerned for Adam's mental state, urges them to leave. Then, a spectral image of Adam's mother appears outside, peering through the window, pushing Adam to a desperate act—pounding on the door until the glass shatters.

The next morning, Adam wakes with his parents, who explain that Harry went home. They deliver a heartbreaking message: for Adam to truly find happiness, he must let them go. They share a final, bittersweet meal at his favorite childhood restaurant. To spare his mother pain, Adam gently fabricates that both parents died instantly, a comforting lie. With tearful declarations of love, they vanish, leaving Adam to accept their definitive departure.

The Ultimate Revelation

Having finally accepted the loss of his parents, Adam returns to Harry's flat, ready to embrace their future together. But a terrible stench greets him, and the flat is in disarray, strewn with drug residue. Adam finds Harry in the bedroom, lifeless, clutching the same whiskey bottle he had on the night they first met. A crushing realization dawns on Adam: Harry has been dead since that very first encounter, an apparition just like his parents, a product of Adam's profound loneliness and desire for connection.

Harry's ghost appears, distraught that Adam has seen his corporeal form. Adam, now understanding the full scope of their connection, reassures him that everything will be alright. He leads Harry's spectral form back to his own flat. In a moment of quiet, profound intimacy, they lie in bed, tightly in each other's arms. Harry asks for a record, and Adam puts on 'The Power of Love' by Frankie Goes to Hollywood. As the music fills the room, the two fade into a small beam of light, merging with the stars in the night sky, their love transcending all boundaries.

Meet the Cast

Andrew Scott as Adam Paul Mescal as Harry Jamie Bell as Adam's father Claire Foy as Adam's mother

Behind the Scenes: Crafting the Story

The idea for 'All of Us Strangers' began when Blueprint Pictures approached Taichi Yamada, author of the original 1987 novel 'Strangers.' Director Andrew Haigh soon joined, embarking on what he called 'a long and sometimes painful process' of adaptation. Haigh aimed to move beyond a traditional ghost story, seeking something 'more psychological, almost metaphysical.'

Haigh revealed he used the adaptation as a way to 'pick away at my own past,' much like Adam in the film. He was deeply interested in exploring the complexities of both familial and romantic love, especially within the unique experience of a specific generation of gay people growing up in the 80s.

Filming Locations

Production was already underway in the UK when the principal cast—Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy—was announced. In a poignant detail, Andrew Haigh's own childhood home served as the filming location for Adam's childhood house, adding another layer of personal resonance to the narrative. Nightclub scenes were authentically shot at the iconic Royal Vauxhall Tavern.

Critical Acclaim and Awards

The film premiered at the 50th Telluride Film Festival in August 2023, quickly garnering widespread critical acclaim. It was released in the UK in January 2024 and in a limited US release in December 2023, captivating audiences with its unique blend of fantasy and raw emotion.

Critics were effusive in their praise. On Rotten Tomatoes, it holds an impressive 96% positive rating, with the consensus noting how it 'examines profound grief and love through a fantastical lens that is always grounded on human emotion.' Metacritic awarded it a score of 90 out of 100, signifying 'universal acclaim.'

Filmmaker Edgar Wright lauded the movie, calling it a 'true testament to Andrew Haigh's artistry' for its ability to be 'so personal, emotional and resonant, yet also so satisfying within its place in a genre.' He particularly highlighted its 'moment of infinite beauty' at the end, moving beyond typical ghost story conclusions.

Accolades poured in, including seven awards at the 2023 BIFA Awards, such as Best Director and Best Screenplay for Andrew Haigh. It also earned six BAFTA Award nominations, was named one of the top ten independent films of 2023 by the National Board of Review, and secured Film of the Year and LGBTQ Film of the Year at the Dorian Awards.

Article

All of Us Strangers

All of Us Strangers is a 2023 British romantic fantasy film written and directed by Andrew Haigh, and loosely based on the 1987 novel Strangers by Taichi Yamada. It stars Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy. The second feature adaptation of the novel, after the Japanese film The Discarnates (1988), the film follows a lonely screenwriter who develops an intimate relationship with his mysterious neighbour while revisiting memories from the past.

All of Us Strangers premiered at the 50th Telluride Film Festival on 31 August 2023, and was released in the United Kingdom by Searchlight Pictures on 26 January 2024. It received critical acclaim, was named one of the top ten independent films of 2023 by the National Board of Review, and earned six BAFTA Award nominations. The film was also named Film of the Year and LGBTQ Film of the Year by GALECA: The Society of LGBTQ Entertainment Critics (Dorian Awards).

Plot

All of Us Strangers

Lonely television screenwriter Adam lives a secluded life in London. At his tower block, he meets his drunk neighbour Harry, who has noticed him in the building and wants to join him for the night. Reluctantly, Adam declines and sends Harry away. Adam takes up writing and decides to visit his suburban childhood home, now unoccupied. He encounters his parents, who both died in a car accident decades earlier just before he was twelve, and appear as they did at the age they died. Adam has dinner with them and promises to visit again.

Returning to his flat, Adam encounters Harry by the lift, working up the courage to reciprocate Harry's interest. They quickly develop feelings for each other. Harry confides how distant he feels from his own family, and Adam opens up about the loss of his parents. Adam has several subsequent meetings with his parents. During a talk with his mother, Adam reveals his homosexuality, which she accepts despite her concern and slight discomfort. On a later visit with his father, Adam discusses being hurt by his silence about the bullying Adam experienced as a child. The two tearfully reconcile and hug.

Later, as Adam and Harry's relationship flourishes, the two go clubbing and take ketamine. Adam admits it is his first time and Harry implies that he is a frequent user. During the trip, Adam finds himself in his childhood bed, this time at Christmas. They hang lights on the Christmas tree together and celebrate happily. Unable to sleep, Adam gets in bed with his parents and tells his mother about being sent to stay with his grandmother after her death, which his mother laments.

Harry suddenly appears next to Adam, who suddenly finds himself on a London Underground train, seeing Harry in various places on the train and station, but not recognizing him, before seeing a distorted reflection of his younger self screaming before waking up in his flat. Harry tells him he brought him home after Adam started acting strangely. Adam discusses the details of his parents' death to him the next morning, where he reveals his father died instantly, but his mother, with disfiguring injuries lingered for several days in the hospital. His grandmother kept Adam from seeing his mother due to her dire condition, which has forever haunted him.

Freshly confident in their relationship, Adam takes Harry to his parents' house to meet them - not telling Harry where they are or why. Adam notes that his parents are not present, even after yelling and banging intensely on the doors and windows. Growing concerned for Adam's health, Harry demands Adam tell him where they are and Adam obliges. Harry continues to urge them to leave, just as they both see a faint image of Adam's mother through a window. Horrified and confused, Harry steps back as Adam pounds on the door, breaking a window.

Upon waking up the next morning with his parents, they explain that Harry went home. They tell Adam that in order for him to find happiness, he must let them go and move forward in his life with Harry. They take him to his favourite childhood restaurant, where they ask if their deaths were quick and painless. Adam tells them they both died instantly, a particular relief to his mother, even if untrue. The three tearfully reaffirm their love for each other, after which both parents vanish.

Having accepted the loss of his parents, Adam goes home to see Harry. Entering Harry's flat, he notices an awful stench, with ketamine residue on a table and squalor throughout the flat. Adam finds Harry dead in the bedroom, holding the same whiskey bottle he was drinking from the night they met. Adam now realizes that Harry overdosed that very first night after Adam had thwarted his advances.

In the kitchen Adam finds Harry, holding the whiskey bottle and in his corpse's clothes. Appearing distraught and embarrassed, Harry wonders why no one has found his body, and Adam reminds him that he has. Adam assures Harry that everything will be all right, and takes Harry back to his flat. The two lie in bed together, tightly in each other's arms. When Harry asks Adam to play a record, Adam remembers the lyrics Harry sang to him the first night they met in the doorway. He starts to quietly sing "The Power of Love" by Frankie Goes to Hollywood. Harry closes his eyes and reflects the same comment he made when they first met. He relaxes as Adam continues to stroke his hair and whisper the song into his ear. The two fade away and turn into stars in the sky.

Cast

All of Us Strangers

• Andrew Scott as Adam • Carter John Grout as young Adam • Paul Mescal as Harry • Jamie Bell as Adam's father • Claire Foy as Adam's mother

Production

All of Us Strangers

Graham Broadbent and Sarah Harvey of Blueprint Pictures first pitched the project to Yamada in June 2017. Later that year, Haigh and Film4 Productions came on board. Haigh described his adaptation of the novel as "a long and sometimes painful process". He said, "I wanted to pick away at my own past as Adam does in the film. I was interested in exploring the complexities of both familial and romantic love, but also the distinct experience of a specific generation of gay people growing up in the 80s. I wanted to move away from the traditional ghost story of the novel and find something more psychological, almost metaphysical."

On 30 June 2022, the film, then known as Strangers, and the principal cast were announced. The announced plot was brief and vaguely worded, and attracted inquiries on social media as to whether the film involved a romance between Scott and Mescal's characters.

Filming was in progress in the United Kingdom when the announcement was made. Haigh's childhood home served as the filming location for the house in which Adam finds his parents. Nightclub sequences were shot on location at the Royal Vauxhall Tavern.

Release

All of Us Strangers

The film premiered at the 50th Telluride Film Festival on 31 August 2023, and played at the 2023 New York Film Festival on 1 October 2023. It also made it to the main competition of the 68th Valladolid International Film Festival. The Cork International Film Festival chose the film as its International Gala film, acting as the Irish premiere, on 19 November 2023. The QCinema International Film Festival hosted three screenings of the film on 19, 20, and 24 November 2023. It began a limited release in the United States on 22 December 2023 and was released in the United Kingdom on 26 January 2024.

Reception

Box office

In its limited opening weekend, the film made $232,909 from four theaters, a per-venue average of $58,000.

Critical response

Andrew Scott garnered widespread critical acclaim for his performance in the film.

On the review aggregator website Rotten Tomatoes, 96% of 275 critics' reviews are positive, with an average rating of 8.8/10. The website's consensus reads: "All of Us Strangers examines profound grief and love through a fantastical lens that is always grounded on human emotion." Metacritic, which uses a weighted average, assigned the film a score of 90 out of 100, based on 53 critics, indicating "universal acclaim".

Filmmaker Edgar Wright praised the film, saying "I am in awe of what Andrew [Haigh] managed to do in this film. It's a true testament to his artistry that he was able to make a film so personal, emotional and resonant, yet also so satisfying within its place in a genre. Though a traditional ghost story might end on a note of sadness or shock, the fact that Andrew is able to leave us with a moment of infinite beauty is to be cherished."

In December 2024, Collider ranked the film at number 4 on its list of the "10 Best Fantasy Movies of the 2020s", with Robert Lee III writing that it "has a lot of different moving parts that all seamlessly come together to make for an emotional rollercoaster of tear-jerker moments. From its exploration of the isolation and self-doubt that grief and pain place upon us to the inherent genius of a premise that allows Adam to come out to his parents after a lifetime of never believing he'd get the chance. It's a work of art that can be interpreted in a multitude of different ways, which is one of the greatest strengths that this type of mature fantasy drama can provide."

In July 2025, it was one of the films voted for the "Readers' Choice" edition of The New York Times' list of "The 100 Best Movies of the 21st Century," finishing at number 247.

Accolades

All of Us Strangers

<table><thead><tr><th>Award</th><th>Date of ceremony</th><th>Category</th><th>Nominee(s)</th><th>Result</th><th>Ref.</th></tr></thead><tbody><tr><td>Chicago International Film Festival</td><td>22 October 2023</td><td>Gold Q-Hugo</td><td>All of Us Strangers</td><td>Nominated</td><td></td></tr><tr><td>Valladolid International Film Festival</td><td>28 October 2023</td><td>Golden Spike</td><td>All of Us Strangers</td><td>Nominated</td><td></td></tr><tr><td>Rainbow Spike</td><td>All of Us Strangers</td><td>Won</td><td></td></tr><tr><td>Montclair Film Festival</td><td>29 October 2023</td><td>Special Jury Award</td><td>Andrew Haigh</td><td>Won</td><td></td></tr><tr><td>Camerimage</td><td>18 November 2023</td><td>Golden Frog</td><td>Jamie D. Ramsay</td><td>Nominated</td><td></td></tr><tr><td>Gotham Independent Film Awards</td><td>27 November 2023</td><td>Best International Feature</td><td>All of Us Strangers</td><td>Nominated</td><td></td></tr><tr><td>Best Screenplay</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Outstanding Lead Performance</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Outstanding Supporting Performance</td><td>Claire Foy</td><td>Nominated</td></tr><tr><td>British Independent Film Awards</td><td>3 December 2023</td><td>Best British Independent Film</td><td>Andrew Haigh, Graham Broadbent, Peter Czernin, and Sarah Harvey</td><td>Won</td><td></td></tr><tr><td>Best Casting</td><td>Kahleen Crawford</td><td>Nominated</td></tr><tr><td>Best Cinematography</td><td>Jamie D. Ramsay</td><td>Won</td></tr><tr><td>Best Director</td><td>Andrew Haigh</td><td>Won</td></tr><tr><td>Best Editing</td><td>Jonathan Alberts</td><td>Won</td></tr><tr><td>Best Lead Performance</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Best Make-Up & Hair Design</td><td>Zoe Clare Brown</td><td>Nominated</td></tr><tr><td>Best Music Supervision</td><td>Connie Farr</td><td>Won</td></tr><tr><td>Best Production Design</td><td>Sarah Finlay</td><td>Nominated</td></tr><tr><td>Best Screenplay</td><td>Andrew Haigh</td><td>Won</td></tr><tr><td>Best Sound</td><td>Joakim Sundström, Per Bostrom, and Stevie Haywood</td><td>Nominated</td></tr><tr><td>Best Supporting Performance</td><td>Jamie Bell</td><td>Nominated</td></tr><tr><td>Claire Foy</td><td>Nominated</td></tr><tr><td>Paul Mescal</td><td>Won</td></tr><tr><td>National Board of Review</td><td>6 December 2023</td><td>Top 10 Independent Films</td><td>All of Us Strangers</td><td>Won</td><td></td></tr><tr><td>Los Angeles Film Critics Association Awards</td><td>10 December 2023</td><td>Best Editing</td><td>Jonathan Alberts</td><td>Runner-up</td><td></td></tr><tr><td>Best Leading Performance</td><td>Andrew Scott</td><td>Runner-up</td></tr><tr><td>Best Screenplay</td><td>Andrew Haigh</td><td>Won</td></tr><tr><td>IndieWire Critics Poll</td><td>11 December 2023</td><td>Best Performance</td><td>Andrew Scott</td><td>8th Place</td><td></td></tr><tr><td>Chicago Film Critics Association Awards</td><td>12 December 2023</td><td>Best Actor</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Toronto Film Critics Association</td><td>17 December 2023</td><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Runner-up</td><td></td></tr><tr><td>Best Picture</td><td>All of Us Strangers</td><td>Runner-up</td></tr><tr><td>Outstanding Lead Performance</td><td>Andrew Scott</td><td>Runner-up</td></tr><tr><td>Florida Film Critics Circle Awards</td><td>21 December 2023</td><td>Best Actor</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Alliance of Women Film Journalists</td><td>3 January 2024</td><td>Best Actor</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Greater Western New York Film Critics Association</td><td>6 January 2024</td><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Best Lead Actor</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Best Picture</td><td>All of Us Strangers</td><td>Nominated</td></tr><tr><td>National Society of Film Critics Awards</td><td>6 January 2024</td><td>Best Actor</td><td>Andrew Scott</td><td>Won</td><td></td></tr><tr><td>Golden Globe Awards</td><td>7 January 2024</td><td>Best Actor – Motion Picture Drama</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Seattle Film Critics Society Awards</td><td>8 January 2024</td><td>Best Actor in a Leading Role</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>San Francisco Bay Area Film Critics Circle Awards</td><td>9 January 2024</td><td>Best Actor</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Denver Film Critics Society</td><td>12 January 2024</td><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Critics' Choice Movie Awards</td><td>14 January 2024</td><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Houston Film Critics Society</td><td>22 January 2024</td><td>Best Actor</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Kansas City Film Critics Circle</td><td>27 January 2024</td><td>Tom Poe Award for the Best LBGTQ Film</td><td>All of Us Strangers</td><td>Won</td><td></td></tr><tr><td>London Film Critics' Circle</td><td>4 February 2024</td><td>Actor of the Year</td><td>Andrew Scott</td><td>Won</td><td></td></tr><tr><td>British/Irish Film of the Year</td><td>All of Us Strangers</td><td>Won</td></tr><tr><td>British/Irish Performer of the Year</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Paul Mescal (also for God’s Creatures, Foe, and Carmen)</td><td>Won</td></tr><tr><td>Film of the Year</td><td>All of Us Strangers</td><td>Nominated</td></tr><tr><td>Screenwriter of the Year</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Supporting Actor of the Year</td><td>Paul Mescal</td><td>Nominated</td></tr><tr><td>Supporting Actress of the Year</td><td>Claire Foy</td><td>Nominated</td></tr><tr><td>Technical Achievement Award</td><td>Kahleen Crawford</td><td>Nominated</td></tr><tr><td>AACTA International Awards</td><td>10 February 2024</td><td>Best Lead Actor in Film</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>British Academy Film Awards</td><td>18 February 2024</td><td>Best Adapted Screenplay</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Best Casting</td><td>Kahleen Crawford</td><td>Nominated</td></tr><tr><td>Best Director</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Best Supporting Actress</td><td>Claire Foy</td><td>Nominated</td></tr><tr><td>Best Supporting Actor</td><td>Paul Mescal</td><td>Nominated</td></tr><tr><td>Outstanding British Film</td><td>Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey</td><td>Nominated</td></tr><tr><td>Independent Spirit Awards</td><td>25 February 2024</td><td>Best Director</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Best Film</td><td>Graham Broadbent, Pete Czernin, Sarah Harvey</td><td>Nominated</td></tr><tr><td>Best Lead Performance</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Dorian Awards</td><td>26 February 2024</td><td>Director of the Year</td><td>Andrew Haigh</td><td>Nominated</td><td></td></tr><tr><td>Film of the Year</td><td>All of Us Strangers</td><td>Won</td></tr><tr><td>Film Performance of the Year</td><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>GALECA LGBTQIA+ Film Trailblazer Award "For creating art that inspires empathy, truth and equity"</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Andrew Scott</td><td>Nominated</td></tr><tr><td>Genre Film of the Year "For excellence in science fiction, fantasy and horror"</td><td>All of Us Strangers</td><td>Nominated</td></tr><tr><td>LGBTQ Screenplay of the Year</td><td>Andrew Haigh</td><td>Won</td></tr><tr><td>LGBTQ Film of the Year</td><td>All of Us Strangers</td><td>Won</td></tr><tr><td>Screenplay of the Year</td><td>Andrew Haigh</td><td>Nominated</td></tr><tr><td>Supporting Film Performance of the Year</td><td>Paul Mescal</td><td>Nominated</td></tr><tr><td>Satellite Awards</td><td>3 March 2024</td><td>Best Actor in a Motion Picture, Drama</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr><tr><td>Best Adapted Screenplay</td><td>Andrew Haigh and Taichi Yamada</td><td>Nominated</td></tr><tr><td>GLAAD Media Awards</td><td>14 March 2024</td><td>Outstanding Film – Wide Release</td><td>All of Us Strangers</td><td>Nominated</td><td></td></tr><tr><td>Critics' Choice Super Awards</td><td>4 April 2024</td><td>Best Actor in a Horror Movie</td><td>Andrew Scott</td><td>Nominated</td><td></td></tr></tbody></table>